Why can't we have those curves and arches that express feeling in design? What is wrong with them? Why has everything got to be vertical, straight, unbending, only at right angles - and functional?
You have to give this much to the Luftwaffe - when it knocked down our buildings it did not replace them with anything more offensive than rubble. We did that.
In architecture the pride of man, his triumph over gravitation, his will to power, assume a visible form. Architecture is a sort of oratory of power by means of forms.
Life is rich, always changing, always challenging, and we architects have the task of transmitting into wood, concrete, glass and steel, of transforming human aspirations into habitable and meaningful space.
Architecture (is) a theatre stage setting where the leading actors are the people, and to dramatically direct the dialogue between these people and space is the technique of designing.
When you look on one of your contemporary 'good copies' of historical remains, ask yourself the question: Not what style, but in what civilization is this building? And the absurdity, vulgarity, anachronism and solecism of the modern structure will be revealed to you in a most startling fashion.
How can we expect our students to become bold and fearless in thought and action if we encase them in sentimental shrines feigning a culture which has long since disappeared?
Take nothing for granted as beautiful or ugly, but take every building to pieces, and challenge every feature. Learn to distinguish the curious from the beautiful. Get the habit of analysis - analysis will in time enable synthesis to become your habit of mind. 'Think simples' as my old master used to say - meaning to reduce the whole of its parts into the simplest terms, getting back to first principles.
Always design a thing by considering it in its next larger context - a chair in a room, a room in a house, a house in an environment, an environment in a city plan.
In speculative buildings, which is most of our business, there are really only three chances to make architecture: the lobby or entrance sequence, the top and the elevator cab.
The White House was designed by Hoban, a noted Irish-American architect, and I have no doubt that he believed by incorporating several features of the Dublin style he would make it more homelike for any President of Irish descent. It was a long wait, but I appreciate his efforts.